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==Life Culture of Cuba== | ==Life Culture of Cuba== | ||
'''Cultural life''' | |||
Cuban culture has undergone a major transformation since the revolution, and the government has come to play a leading role in it. Since the creation of the Ministry of Culture in 1976, this role has expanded to include a network of professional and amateur cultural organizations throughout the country. Cultural institutions before 1959 were generally limited to Havana (and, to a lesser extent, the provincial capitals) and were almost entirely privately endowed. Before 1959 Cuba had some 100 libraries and a half-dozen museums; today it has approximately 2,000 libraries and 250 museums located throughout the country. The Ministry of Culture directs a program of education in music, visual arts, ballet, dramatic arts, and modern dance, culminating in the university-level Higher Institute of Art. More than 200 neighbourhood cultural centres (casas de cultura) offer workshops in all branches of the arts. | |||
'''Daily life and social customs''' | |||
In general, Cuba is a country short of everything, though its people exhibit extraordinary resilience and inventiveness in the face of hardship. So skilled are they, for example, at keeping automobiles from the 1950s in good running and cosmetic condition that Cuba has become a destination of choice for vintage-car collectors from the United States and Europe. Still, the constant food shortages, electricity blackouts, and telephone breakdowns affect people in different ways. Most problems and opportunities are relative and constantly changing, except for the staples of life in Cuba—the inescapable control of the government, the Saturday-night movies on one of the two local television channels, the Monday-night telenovelas (soap operas) imported from Brazil, Mexico, Venezuela, or Colombia, and the unavoidable preoccupations of work, home, and family. Socialist ideologies notwithstanding, lifestyles are not equal for everyone, and how one perceives Cuba varies considerably depending on one’s individual situation. | |||
Groups with access to hard currency—mainly U.S. dollars—enjoy a level of comfort not markedly different from that of middle-class residents elsewhere in Latin America and the Caribbean. From two-fifths to half of Cubans have access to dollars. This is a varied group indeed, comprising recipients of foreign remittances from their families, workers in service industries who receive gratuities, tourist enterprises catering to foreigners, members of the armed services, workers in some industries who are paid partly in dollars, and even those working in the sex trade. There is also a group, locally called mayimbes (bosses), who appear to enjoy a good life without the benefit of obvious employment. These people form the faithful local clientele at the upscale paladares, the family-style restaurants officially licensed since 1994; they also frequent elegant state-run restaurants and the international dining rooms, expensive boutiques, and disco clubs of some first-class hotels, as well as the Caracol and Cubalse “dollar stores” scattered throughout Havana and other resort towns. Dollars also enable ordinary Cubans to ameliorate, however slightly, the monotonous routine of their lives. They can supplement the inadequate supplies of their ration books—not only in quality but also in quantity and variety—from purchases in the mercados agropecuarios (general food markets) and creative private sources (including the black market). | |||
The typical cuisine makes wide use of pork, fowl, and rice—cooked with a scarcity of spices—and tropical fruits. Popular dishes include moros y cristianos (black beans and rice), ajicao (a stew of meat and vegetables), and lechón asado (roast pig), consumed with dark coffee and locally produced lager. | |||
For family and personal entertainment, the cinema remains extremely popular, and Havana hosts one of the largest film festivals in Latin America each year. In Havana and Santiago drama groups have regular performances. A small number of clubs, like the Casa de Amistad (“Friendship House”) in Havana, cater to tourists and Cubans of modest means by supplying good food and a lively ambiance. Music and dance remain an important part of Cuban life. A variety of classical and popular musical groups offer weekend performances, and many kinds of music are heard on the streets, especially along the Malecón, Havana’s seaside promenade that remains a magnet for youths, especially in the evenings and on weekends. Music is also an integral part of the Afro-Cuban religion Santería, which has contributed much to the culture of the island. | |||
'''The arts''' | |||
'''LITERATURE''' | |||
A recognizably Cuban literature first began to emerge after the end of the 18th century. In the early 19th century several writers gained prominence espousing intellectualism and the concept of freedom. These ideas gained perhaps their greatest intensity in the writings of José Martí, a Cuban of modest Spanish background who led the Modernist movement in Cuban literature. He inspired an entire school of writing devoted to winning freedom from Spain. Writers whose works reflected social protest in the pre-Castro period include Nicolás Guillén, a leader in founding the Afro-Cuban school of literature, and Jose Z. Tallet, both activist poets. In the 20th century short stories became the predominant prose form, but exceptional novels were also produced, such as Alejo Carpentier’s ¡Ecué-Yamba-Ó! (1933; “Lord, May You Be Praised!”), which is a tribute to Afro-Cuban life and culture, and El siglo de las luces (1962; Explosion in a Cathedral, 1963), which portrays the violence and chaos wrought on the Caribbean during the French Revolution. The works of the poet, novelist, and essayist José Lezama Lima have also been influential. In addition, the works of the American writer Ernest Hemingway are deeply admired on the island, which was his home for many years and the setting for The Old Man and the Sea (1952) and Islands in the Stream (1970). Cuban writers such as Reinaldo Arenas, Guillermo Cabera Infante, Leonardo Padura Fuentes, and Ronaldo Menedez have earned international attention in the postrevolutionary era; however, many such writers have been exiled after falling afoul of government censors. By the early 21st century, Cuban writers had published large numbers of major novels and literary magazines. | |||
'''VISUAL ARTS''' | |||
Cuba has galleries, art museums, and community cultural centres that regularly display the works of Cuban painters. The most important (all in Havana) are the National Museum of Fine Arts, the Haydée Santamaría Gallery of the House of the Americas, the Gallery of Havana, and the Fortress Castle. There Cuba’s foremost contemporary artists—Wifredo Lam, René Portocarrero, Mariano Rodríguez, Servando Cabrera Moreno, Raúl Martínez—share space with younger artists. The Ministry of Culture provides most of the materials needed by artists and also guarantees jobs to graduates of the Higher Institute of Art. Painters in Cuba tend to work in many genres: they design fabrics (called by the trade name Telarte), sets for movies and theatre, and posters for films, books, cultural events, and community campaigns. Posters are one of Cuba’s best-known cultural exports. The Ministry of Culture promotes numerous art exchanges and sends exhibits of Cuban art throughout the world. The government works to promote art from the countries of the developing world, primarily through the Havana Biennial, which started in 1984. | |||
'''MUSIC AND DANCE''' | |||
Cuban music has Spanish and African roots, a blend that has contributed to a unique sound in both traditional and popular music. The Cuban rumba, son, guaracha, habanera, bolero, danzón, conga, and cha-cha, as well as salsa and the Nueva Trova (“New Song”) movement, have influenced much of the hemisphere. The Cuban folk anthem “Guantanamera,” which derives from a nostalgic poem by José Martí, is frequently heard throughout Latin America, as are the popular love songs “Habanera Tú” and “Siboney.” Composer-singers Pablo Milanés and Silvio Rodríguez, among the founders of the Nueva Trova movement, are acclaimed throughout Latin America for their lyric social criticism. Festivals of Cuban music and song are held throughout the year, encompassing works of every genre from every period, including the internationally popular Afro-Cuban jazz. The worldwide success of the Buena Vista Social Club album (1997) and concert series, as well as the subsequent film documentary (1999), introduced listeners throughout the world to those genres and revived the careers of such once-popular artists as Ibrahim Ferrer, Rubén González, and Omara Portuondo. Classical music is of relatively minor importance in Cuba, but there is a National Symphony Orchestra that also has a chamber orchestra and instrumental ensembles. | |||
One of Cuba’s foremost artistic figures is Alicia Alonso—a dancer of international acclaim, the prima ballerina and founder (1948) of the company that would become the National Ballet of Cuba, and the head of its school. The Ballet of Camagüey, under the direction of Fernando Alonso, was established in 1971, and a second Havana company was founded in the mid-1980s. Besides classical ballet, there is the Modern Dance Company in Havana, the Tumba Francesa (a black folk group) in Santiago de Cuba, and dozens of smaller troupes. | |||
'''THEATRE''' | |||
Cuban theatre has been state-supported since 1959, mostly under the direction of the Ministry of Culture. There are several national dramatic groups, such as the Studio Theatre, whose directing councils create their own repertoire. Provincial theatre groups are also well established. Cuban theatre reached a new maturity in the 1980s, producing plays focusing on contemporary social problems as well as developing efforts to integrate music and dance. However, like most aspects of Cuban life, theatre suffered during the “special period” of the 1990s. National and international theatre festivals feature Cuban companies and troupes from the rest of the Americas. The National Theatre has an excellent library, and House of the Americas (Casa de las Américas), an international cultural institution, sponsors regular encuentros (meetings) with theatre professionals. Increasingly, Cuban theatre troupes travel abroad as part of an active exchange program. | |||
'''FILM''' | |||
Cuban filmmaking since 1959 has been supported by the Cuban Institute of Cinematographic Art and Industry, which has produced feature and documentary films. The institute also has an extensive film library, and its movie house, the Charles Chaplin Theatre, regularly shows the best of both world and Cuban cinema. The institute provides a variety of support services throughout the hemisphere and sponsors the prestigious annual International Festival of New Latin American Cinema. The Foundation for New Latin American Cinema was established in Havana under the direction of the Colombian writer and Nobel Prize winner Gabriel García Márquez. Long popular in Latin America, Cuban films have enjoyed wider international audiences since the 1990s, especially after the critical and commercial success of Tomás Gutiérrez Alea and Juan Carlos Tabío’s film Fresa y chocolate (1994; Strawberry and Chocolate), which won the 1994 Berlin International Film Festival’s Special Jury Prize and was nominated for an Academy Award as best foreign language film. Tabío’s Lista de espera (2000; Waiting List) and Fernando Pérez’s La vida es silbar (1999; Life is to Whistle) were also well received. | |||
'''Cultural institutions''' | |||
Havana is Cuba’s cultural hub and the home of most of its museums, libraries, professional associations, and performing troupes. The Cuban Academy of Sciences (1962) and the Cuban Academy of Language (1926) are among the leading learned societies. The José Martí National Library (1901) and the National Archive of Cuba (1840) have significant holdings. Among the major institutions supporting the performing arts are the National Theatre, the National Ballet of Cuba, the House of the Americas, and the Cuban Institute of Cinematographic Art and Industry. The National Union of Cuban Writers and Artists has a large membership that promotes literature and the arts. In 1959 the Institute of Ethnology and Folklore was created within the Academy of Sciences of Cuba, with the aim of collecting and classifying the Cuban cultural heritage. It formed the National Folklore Group, which performs Afro-Cuban dances throughout Cuba and abroad and gives international folklore laboratories each year. The activities of the folklore group are complemented by the Institute of Literature and Linguistics of the Academy of Sciences. The revolutionary government has made a special effort to promote study of the African roots of Cuban culture. The Guanabacoa and Regla museums are the main repositories of Afro-Cuban artifacts. | |||
'''Sports and recreation''' | |||
Sports in Cuba are generally under the direction of the National Institute of Sports, Physical Education, and Recreation. They are almost a national obsession, and sports figures are treated as national heroes. | |||
Baseball is the national sport and is widely played throughout the country, with leagues organized at national and provincial scales. Fidel Castro himself has been passionately attracted to the sport since his youth. Baseball was introduced to Cuba in the 19th century, and until 1959 the island provided the major league clubs of the United States with a constant supply of quality players, a tradition revived with the defection, over the years, of many of the country’s top baseball stars, such as Danys Baez and the brothers Orlando and Livan Hernandez. Cuban baseball teams have consistently captured gold medals in the Pan American Games and the Summer Olympic Games. | |||
In various other international competitions, Cubans have also competed strongly with—and often outperformed—teams from every American country. At the 2000 Summer Olympic Games, for example, Cuban athletes won 29 medals. Eliecer Urrutía set a world mark in the triple jump in 1997, and Javier Sotomayor posted world records in the high jump in 1988 and 1993. Female athletes have also been outstanding in Cuba, with world-class teams in track and field as well as in volleyball. The heavyweight boxer Teófilo Stevenson is representative of another field in which Cubans have consistently excelled. Sport fishing, especially for blue marlin, has a long tradition, Ernest Hemingway being one of the enthusiastic participants. More recently, successful international competitions in sailing, yachting, and powerboat racing have taken place in Cuba. The government provides opportunities for most Cubans to participate in sports and recreational programs. | |||
Cuba celebrates Carnival in late July, most flamboyantly in Santiago de Cuba. During that period Cuba also celebrates what is perhaps its most significant holiday, commemorating Castro’s attack on Fort Moncada on July 26, 1953. | |||
'''Media and publishing''' | |||
The mass media in Cuba are government organs. Freedom of speech is severely curtailed, and several independent journalists have been imprisoned for allegedly insulting the president. | |||
The three main newspapers are Granma, the Communist Party daily; Juventud Rebelde, the paper of the Communist Youth; and Trabajadores, published by the Cuban Federation of Workers. These are supplemented by provincial newspapers, such as the Tribuna de la Habana and Sierra Maestra in Santiago de Cuba, that focus on local issues. Among the most widely read magazines are the weekly Bohemia, which covers all aspects of the news and is the oldest periodical in Cuba; the monthly Opina, aimed at a younger audience, with information on available consumer goods; and Mujeres, published by the Federation of Cuban Women. A number of specialized cultural magazines and newspapers also have wide readerships. | |||
Two television stations broadcast nationally, and there are several national radio networks and one international; all of these are administered by the Cuban Institute of Radio and Television. Programming generally includes news, sports, educational programs, and serials. | |||
==History of Cuba== | ==History of Cuba== | ||